Episode drop-off review
A short sitting focused on the minutes where an episode loses the room — pauses, kitchen trips, and the point the remote is put down.
From RM 2,900Petaling Jaya · viewing evenings
Utility Canvascore keeps the record of app analytics for streaming app watch behavior by sharing the sofa, the remote, and the pauses — not by guessing from a corridor meeting.
When a title drops in Malaysia, households do not behave like a press screening. Someone scrolls a phone at minute twelve. A child bargains for one more episode. The “Skip Intro” button is hit before the theme has a chance. We write down what happens, in order, and hand you a brief you can argue with.
Flagship study
Three to five evenings with households who already use the app you care about. We note when an episode is abandoned, when a profile is swapped, when subtitles go on, and when the room simply stops looking. You receive a written brief, a timed log, and a working session with your scheduler or producer.
This is the study most Malaysian streamers commission before a heavy local original, a sports window, or a redesign of the home row. It is not a lecture on “the audience.” It is a record of particular living rooms.
Read the study termsAlso on the programme
A drop-off review, a launch week, or a single household evening can sit beside the full study. Choose the visit that matches the title you are about to put on the home row.
A short sitting focused on the minutes where an episode loses the room — pauses, kitchen trips, and the point the remote is put down.
From RM 2,900We keep company with households during a title’s first seven days, including a Friday night and a tired weeknight, and write what actually got played.
From RM 4,600One recruited home, one observer, a full night’s log of who watches under which profile and who never logs out.
RM 1,800 per eveningFrom a Tuesday in Damansara
“They liked the show. They still stood up, boiled water, and opened a different title. The autoplay timer ran out on an empty sofa.”
A drama team had asked why completion looked healthy while season-to-season return did not. In the room, the reason was ordinary: the credits were long, the kettle won, and the next episode art showed a face nobody in the household recognised. We wrote that sequence into the brief. The following season they shortened the hold and put a familiar character on the end card.
Journal
Short field pieces on pause habits, skip-intro, credit-watching, and Malaysian weeknights. Written after actual sittings, not after a trade fair.
A lot of Malaysian watching happens with two languages on screen and a phone in the hand. The set is on. That is not the same as a gaze.
Some rooms stay for names. Some rooms stay because the next episode art has not loaded. The difference matters if you are about to shorten the hold.
The same Klang Valley household that finished four episodes on Saturday put the remote down after twenty minutes on Tuesday. Both nights were honest.